What's the difference?
Friday, September 14, 2018
September 15th and 16th
Over 199 artists (plus me) opening their studio doors for you
Start at Studio #306, 450 Harrison Ave, Boston, MA
Sat. & Sun. Rain or Shine 11 AM - 6 PM
I'll be showing along with my studio mates, Deborah MacFail, jeweler and Mary Mandarino, weaver. Finally you'll be able to see my new series in person.
|Marian Dioguardi - Melanzani Siciliani (Sicilian Eggplants) 2018, 12 X 16 inches $550|
Friday, September 7, 2018
|Original painting of Auro , 16 X 20 inches|
I did 30" X 60" raw sketch. I visualized the large scale but I also felt that it should be even larger. Now the sketch is becoming a 36" X 72" inch painting. ( One might note that 36" X 72" size disqualifies the painting for a lot of shows and competitions.) That is not my concern but if you are a painter who submits to shows you would want to take that qualifying feature under consideration when you are deciding to scale up.
With the help of ratios and grade school arithmetic I scaled up the major elements of the painting. I do not use a grid but I do use a tape measure.
Everything looks a little bit different when when it scales up. Larger painting? Mistakes are larger. I am not a slave to my sketch. At this point the painting is asking more questions than I have answers for. Where will Nona go? What will I do with the green door so that it's not so prominent (heavy) in the center of the painting? Will the painting work at this scale? Am I crazy to do this? Did I make the right decision?
I admit I'm a little nervous.However it's the doubt that makes it exciting. I am committed now and so I am going to give it what I got. Stay tuned. As I tell my students "Hey, it's only paint so go ahead and make a mistake.".
Saturday, September 1, 2018
|The start of a 36" X 72" painting. Charcoal sketch on brown paper (30 X 60 inches)|
I REALLY liked painting Auro. I had a few more snap shots along that particular street and it gave me an idea. (one thing always leads to another). A painting, not necessarily of how the street was but how I want to see it. Taking the elements of Auro, and the street art and Tags along Santa Maria del Rosario I am planning a much larger painting. It's will be how the scene would feel if one were looking at it from across the street.
The walking figure, La Nonna, is a figure from a favorite painting of mine titled La Nonna. Nonna is a universal figure that one might see anywhere. In La Nonna (1) she is walking the sidewalks of Venice. Here she is walking the sidewalks of Catania, Sicily. This sketch helped me determine the size and scale. I looked up the actual height and width dimensions of the Peugeot in order to scale the figure. At this point I am not certain where she'll be placed compositionally.
The 30 X 6O" sketch didn't feel right. It still felt constrained to me.It was larger but not what I was feeling. I took a chance and cut my aluminum panel to 36 X 72" and that does feel right.Now I am contemplating some technical questions such as how to hang it. Should it and how would it be framed?
The aluminum panel is lighter than a cradled gesso panel. Also it's strong. The edges are rough and I'm not certain I want the edges to show but on the other hand it could be OK if the painting stood off the wall. TIf it's not going to be framed I have to decide: do I attach hardware to the panel, how and what kind?
In the meantime I am painting other paintings. And so it goes.