Wednesday, May 2, 2018

SoWa May Art Walk May 5th and 6th & SoWa Open Market May6th


Limoni alla Siciliano, 11 x 14 inchs (28 cm X 35.5 cm), oil on aluminum panel. Framed (or unframed as you wish)

It's going to be the perfect weekend to explore the Sowa Art + Design District along Harrison Ave and Thayer Street Boston. I'll be in my new space with new work, Studio #306 450 Harrison Ave, along with my two studio mates Mary Mandarino who does fabric weavings and Deborah MacFail who does jewelry creations.You have three opportunities to come by!

First Friday, May 4th from 5-9 PM. You can leisurely stroll through the open studios of  the SoWa artists.

May Art Walk, May 5th and 6th from 11-5 PMYou can spend the day exploring not only the SoWa artist studios but the all art galleries and boutiques along Thayer Street.

Opening Sunday for the Sowa Open Market May 6th from 10-4 PM.  Put your comfortable walking shoes on because you'll need them to appreciate all the artisan vendor tents, farm stands, food trucks and the new Beer Barn taproom in the iconic Power Station along Thayer Street and Harrison Ave. The Market opens at 10 AM. Artist Studios open at 11:00 AM


Limoni alla Siciliano is the first in my series of paintings based in the Farmers' Market, Catania, Sicily. The abundance of produce even in December was overwhelmingly beautiful. I had to go away to get back to where I started , painting fruits and vegetables in 2001, but 17 years later I am painting with a twist.



Tuesday, March 27, 2018

Newton Open Studios 2018 - Art In the Villa


Cielo e Mare, Sea and Sky (Giardini Naxos, Sicily) iol painting by Marian Dioguardi c 2018
Two Days Only - April 7th and 8th from 11-5 PM

Join us for this very special annual event in a historic stone home in West Newton affectionately nicknamed "The Villa". The grounds are inspired from Italian gardens and surround the Arts and Crafts renovation of a Gothic stone carriage house. Now a private home, the doors open once a year, welcoming visitors, to view throughout the first floor my paintings and the paintings of Will Kirkpatrick, Gene Mackles, Geoff Austrian, the glass sculptures of Sidney Hutter and the bottle cap jewelry of Daisy Hutter. Light refreshments will be served.

The Villa, West Newton
This is the favorite stop  along the tour of the other Newton (Garden City) artists and art centers. Easy driving and parking. It's a pleasure to see the art in a home as it was meant to be seen. Enjoy the full weekend.

Wednesday, March 21, 2018

My Head In the Clouds (Still Life vs Landscape)


She is Wild as She is Beautiful, oil painting, Sicily by Marian Dioguardi c2018


If you are familiar with my work over the last 17 years you think of me as a still life painter. What you don't know is that I always wanted to paint like J.M.W. Turner, the wild British landscape painter. However soon  realized as in learning to paint is that no matter what you paint there you are. So for these past years objects captured my interest: fruit and vegetables, laundry lines, cups and dish ware, buoys. Allowing my hands to always follow my heart I never knew where they would take me.

Painting still life with pallet knife allows me to make clear distinct decisions about color, shape and form. As one of my teachers, Barney Rubenstien, told me "You are a god in a still life because you have full control". That appealed to me. I spent my student years and professional years developing my painting all within the still life genre. Now and then I'd do a plain air landscape because it was good painting practice. It was so different putting those practices into the still life.

I continue to rely on my trusty pallet knife but in moments of desperation I resort to using rags, brushes and my fingers. How do I get a soft edge with a pallet knife?! I try this. I try that. I'll try anything!

The landscape world, where I'm not a god, is wild and beautiful, ever changing and challenging. Where I have clear images of what my still lifes painting are; now I have only shifting and searching feelings about the beauty and the wildness of the sky and land. So like the changing light and clouds every painting I am doing is different, shifting and out of my control. The one constant that remains is that it's a challenge.

The Clouds Are Alive,  oil painting, Sicily by Marian Dioguardi c2018

Friday, February 23, 2018

Unsettled - My painting metaphor

Breaking by Marian Dioguardi c2018 (Top oil painting. Bottom my reference photo)

Who among us doesn't feel unsettled in a world where Up is Down and Down is Up? In a year of upheaval one would think the logical thing would be to sit tight and stay the course. That's not what I do: I investigate, I observe, I learn, I feel, I change. 

"The only way to make sense out of change is to plunge into it, move with it and join the dance"-Alan Watts

In December of 2017 I changed studios in Boston, joining Studio 306, 450 Harrison Ave, with two talented women; the jeweler, Deborah McFail and the weaver, Mary Mandarino. I needed to get away from the group think of painters and take a long deep breath of fresh air. I also needed to take a journey.

I traveled to Sicily. Sicily, home to the most active volcano in the world, Mount Etna, constantly birthing earth and gifting this crib of ancient culture with fertility.  I found the moment to moment changes of the unsettled skies a beautiful counterpoint to this ancient earth both ever changing but at very different rates. The changes reached my soul. 

One one day through the Alcantara Valley there were five different rainbows, at different times.

For 2018 I am working on a series of paintings exploring the unsettled skies over Sicily. Not comfortable or fluent in landscape painting, I am struggling and learning as I move along. I'm not sure where this series of paintings will take me but I know that I am going.

Here, I am using photo references, a practice to which I am not accustomed because I prefer to paint from life. However along with learning to handle greens, blues and neutrals, I am also learning to take the moment of feeling and awe and reinsert it back into the painting. The painting  will not be a recording of what I saw but it's a reflection on how I felt in that moment of time and space; free, a little wild and very unsettled.